In this talk I am going to address art and poetry because art and poetry provide us with tools, I believe, for talking about commoning. Personally, for me, they mediate what a commons is. Art and poetry are not removed from our experience (though there are countless ways that art in particular is alienated from us through its becoming commodity), but what gives shape to our lives. How can art and poetry provide us with
tools for addressing, rethinking, and transforming commons?
[…]
I have noticed two emergent forms for art: reenactment and the parade. Seeing Arto Lindsay’s art parade in Times Square during this past Performa, the parade reminded me of the importance of bodies coming
together in actual space. Does the art parade not express a desideratum for collective action, demonstration, and protest? Following the parade as it danced/marched down 7th avenue, one could not help but witness and interact with countless side events and attractions. While the parade itself was rather bland—consisting of a line of about fifty marchers in tan trench coats—witnessing random passersby interact with the marchers
was not. If art expresses a desideratum for being together eventally, how to reappropriate art’s appropriation of the parade for communing? Occupying space, and witnessing the fruits of being with numerous others in space, one observes what develops, what becomes, from bodies being in space in semi-organized ways. Art is good at organizing things in this way. It is a means of organization—so why not use it more to this end?
[…]
If I take anything away from Peter Linebaugh’s brilliant book on the history of The Magna Carta and accompanying Charter of the Forest, The Magna Carta Manifesto, it is that commons must be struggled for both within the realm of culture and within the realm of the law. While the Magna Carta is currently eroded by violations of Habeas Corpus, the Charter of the Forest’s demand for usufuct—the lawful enjoyment and use of the land by all—is threatened by land expropriation practices which began in the 15th century and continue ubiquitously to this day. These practices, which created an urban proletarian for the first time in history, happened through the deliberate efforts of proto-capitalists to erode feudal law and grant new powers to landlords over feudal lords. At the beginnings of our modernism are the seeds of two global crises which have nearly played out their course: ecological unsustainability and the expropriation of labor Read the rest HERE
Not unrelated... the kids at the end of this video, the ones applauding while everyone else pretends this isn't happening... they are the fucking
Hope of this World !
A fine post, Jacob. Here are the lyrics to the song, Wishing Well.
ReplyDeleteI looked for a sign on the palm of my hand
But there was nothing there that I could understand
Yeah, I looked for a sign on the palm of my hand
There was nothing there that I could understand
So I searched for a future in a deck of cards
But what I found, it won't get me far
Yeah, I searched for a future in a deck of cards
But what I found, it won't get me far
So I threw my money in a wishing well
But nothing got better; I was slightly wetter
Yeah, I threw my money in a wishing well
But nothing got better; I was slightly wetter
I'm casting spells left and right
'til I'm cashing everything in my sight
Yes, I'm casting spells left and right
'til I'm cashing everything in my sight
In a burning building it was time to go
I left my eggs on the stove
It burned my shoes, and I stained my dress
I threw my money in a wishing well
But nothing got better; I was slightly wetter
Yeah, I threw my money in a wishing well
But nothing got better; I was slightly wetter
GET YOURSELF
OUT OF HERE
I'm casting spells left and right
'til I'm cashing everything in my sight
Yes, I'm casting spells left and right
'til I'm cashing everything in my sight
I loved that video! Thanks for the lyrics.
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