My first thought, as I walked into the room with Cy Twombly's work at the Phila Museum of Art, was: how do you stretch a canvas that size? Then, off and on, wandering through rooms of 20th C modernist and near contemporary art, it occurred to me that the larger and more elaborate pieces, had to have been made with museums in mind--or collectors who could afford to live in very large houses with very large rooms....
How then, I thought... does this pre-selecting of the'audience' affect the making of art? Whether or not the artist gives this any thought--art made in this way becomes the art of capitalist power--not unlike how those great bronze equestrian statues of military and political figures, were meant to honor and glorify their subjects, and with that, the conquests, subjugation and exploitation of those under their power.
In this way--even the most subversive and revolutionary work, will have written across them a second message, declaring their impotence at the hands of power. "You see, we OWN you! You cannot harm us, here in our aesthetic Free Speech Zones."
Fuck the gatekeepers! Fuck all OWNERS! Better street art that defaces their arrogant walls. Stop making art for the fucking rich and their Empire of Money and Death!